February 26 is National Tell a Fairy Tale day. If you aren’t prepared to tell a story, then read a fairy tale to anyone who will listen—your kids, your mom, your dog. Or just curl up with a copy of Hans Andersen or the Brothers Grimm and get lost in the magic. There’s no better way to keep the frigid weather at bay.
If you want something more adult, check out my apocalyptic version of “Hansel and Gretel,” published in July, 2018, in Feast Journal. My story is called, “Hansel and Greta.”
If you want something to listen to, check out this 2014 recording from the TALES Festival, Daughters of Destiny. I was telling stories in the beautiful St Michael’s Church in Ft. Edmonton Park. Enjoy!
A thank you this week to Adam Farrer and the people at The Real Story, a journal published out of Manchester, for publishing “Running Blind.” The Real Story is a journal dedicated to promoting the nonfiction form in the UK. You can read the piece here.
“Running Blind is memoir, and one of several pieces I’ve had published in the last couple of years. When I write memoir, I don’t think about why I’m writing it or where it will go. However, if I have a piece accepted, I immediately begin to have doubts. Why did I write it? What was I trying to say? And who do I think is going to benefit by reading something that has meaning only for me?
Part of me thinks that writing memoir is a selfish activity. On the other hand, I put the same amount of care and craft into producing a piece of memoir as I do a short story. And memoir is, after all, story. But whatever I think, once a piece is published, then it’s out there in the world, and I no longer have any control over it.
For me, at the heart of writing memoir lies the same impulse that makes me write fiction, or anything else, for that matter: the need to give something a voice that it wouldn’t otherwise have. It’s about finding a voice for those experiences, impressions, sensations, and other sundry scraps and floating fragments of myself that never found an expression elsewhere. I’m certainly not alone in feeling this way. I meet people everywhere who feel the need to give their experience a voice—in writing, or just in conversation. I also meet people who don’t have the need for that kind of expression. They let their experience stand for itself, and they will share that experience, if you’re willing to listen. Oddly enough, I meet such people most often on the street—these people are sometimes homeless, grateful for any spare change, and always willing to share something of themselves.
So, writing memoir necessarily seems to come with a certain privilege. The means and the opportunity to give voice relies on having the lifestyle to support it. I always try to keep this in mind. But more important, if reading memoir, mine or anyone else’s, inspires someone to finally listen to that voice that lies forgotten in the vaults of memory and let it into the world, then everyone is the better for it.